Today I would like to show you a bit of my process for this illustration I was commisioned to do for the Covent Gardener magazine. I chose this project to be the first to write about, because I think the process used here will give you a pretty good idea of how working with me mostly will be.
When the lovely AD of Covent Gardener magazine, Jeannine Saba, contacted me about an illustration for the autumn issue of the magazine, we talked about the theme of the issue and what she needed the illustration to look like. She didn't have a very specific image in mind, but she liked it to include one or more of the well-known buildings in the London Covent Garden area, some autumn imagery, and since the theme of the issue was 'tattoos', I could work with that theme too. Apart from that, I was given artistic freedom.
With that in mind, I read through the text of the diary page, where my illustration would be placed, and underlined all the elements that could work in an illustration. This included the locations that were mentioned and some of the activities, like a Halloween-party on a boat on the Thames. I did some research of the buildings and locations mentioned, and because the timeline was rather narrow, I started sketching straight away. I wanted to provide three different approaches to the subject, so the three sketches I ended up coloring in and sending to Jeannine, was a rather classic illustration of Somerset House with an autumn feel, a more playful take on the Halloween-party on the Thames, and a stylish hipster with a tattoo of Somerset House on his arm and an autumn pattern on his vest.
My favorite of the three sketches, the bearded hipster, was chosen to complete.
At this stage, I usually offer a round of corrections in the sketch phase, which means you can still ask for anything to be changed when I show the first sketches, but no changes were asked, so I could go straight on to completing the final illustration.